He has remarkable talent and ability, can crank out incredible songs. The only thing I've had qualms with in terms of Lizzy Borden is Lizzy himself. Lizzy Borden has always been able to write incredible hooks ("American Metal" from "Love you to Pieces" is a great example), and that ability mixed with moments of progressive and, I dare say, power metal, lends itself well to this album. This is Static-X at their peak, the single BEST Static-X album ever and the one most worthy of your time and effort.īut one of the most interesting aspects of this album isn't the hard-hitting tracks (which there are plenty of!), as it is the overall orchestration of the album and the arrangements. "A Dios Alma Perdida" closes the album on a very smart note a sort of cool-down song after kicking your ass for the rest of it, giving you a chance to soak everything in with the harsh industrial aspects mixed with a very light and airy keyboard at times, and the use once more of the "wall of sound" is very smart and well done.Ĭlocking in at a little more than 40 minutes, you are getting more than your money's worth on this album. if they did more metal.Įven when the album tries to be a bit more commercial with tracks like "Black and White" and "Cold", the album works incredibly strong, although if you're like me, you can only chuckle as Wayne Static tries to "sing" on the later of the two songs. its just amazing! Imagine Atari Teenage Riot. although, to quote Motorhead, if you did "you might just break your neck to it!" The overall dance beat is adamant throughout the entire song, and the guitar riffs are just incredible! The amount of anger and aggression in it, mixed with some pop sensibility. "This Is Not" is the biggest highlight on the album, and, yes, you can dance with to it easily in either a mosh pit or in a night club.
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Coming from me, that is the ultimate compliment, and these songs easily warrant it. More like thrash anthems in a time where there seemed to be none and, to some, "not cool", songs like "Get to the Gone" and "Permanence" bring out the anger and range amidst a wall of sound similar at times to that used by Devin Townsend. Still riding high off the success of their last album, "Wisconsin Death Trip", Wayne Static continued on his journey of creating the ultimate "dance-metal" album, and on here we see him come close to that dream. Released in 2001 in the height of the both the nu-metal movements as well as the industrial metal movements of the late-90's that demanded that the genre change, Static-X was lumped in with the former rather than the later because, in the end, they were just too metal for the industrial crowd at the time.
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That is, essentially, why "Machine" by Static-X is a great album.
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A wall of death, surrounded in electronic circuitry as various fragmented visions of dance halls and killer machines with razor blades dancing around you head while you get to enjoy the show.